{"id":5590,"date":"2022-06-08T14:32:55","date_gmt":"2022-06-08T12:32:55","guid":{"rendered":"https:\/\/liseduclaux.be\/blog\/?p=5590"},"modified":"2022-06-09T13:55:32","modified_gmt":"2022-06-09T11:55:32","slug":"les-pensees-submergees-academia-belgica-roma","status":"publish","type":"post","link":"https:\/\/liseduclaux.be\/blog\/?p=5590","title":{"rendered":"les pens\u00e9es submerg\u00e9es, Academia Belgica, Roma"},"content":{"rendered":"\n

les pens\u00e9es submerg\u00e9es<\/em>, Academia Belgica, Roma<\/strong>
solo exhibition 10 03 2022 - 08 04 2022<\/strong><\/p>\n\n\n\n

Often, the plants that grow spontaneously in the streets of big cities have become cosmopolitan. Are these strange familiar-aliens, frequently considered improper, invading us, or have we invaded them? To botanise, to take into account the others \u2013 who are nonhuman species \u2013 it is necessary to slow down, to walk around and to observe by small steps.<\/p>\n\n\n\n

les pens\u00e9es submerg\u00e9es<\/em> (Submerged Thoughts) constitutes the second part of the book les errantes naturelles<\/em> (Natural Wanderers). les errantes naturelles<\/em> interweaves thoughts, botanical walks, drawings, and photographs around spontaneous street plants, enhanced with texts inspired by Lise Duclaux\u2019s encounters with botanists and readings done by the artist during her residencies in New York in 2018 and Rome in winter 2020 and January 2021. Drowned by the flood of information, the thoughts became entangled around the impossibility of giving a clear representation of what is natural.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Souvent les plantes qui poussent spontan\u00e9ment dans les rues des grandes villes sont devenues cosmopolites. Ces \u00e9tranges famili\u00e8res \u00e9trang\u00e8res, fr\u00e9quemment consid\u00e9r\u00e9es comme impropres, nous envahissent-elles ou bien est-ce nous qui les avons envahies\u2009? Pour herboriser, prendre en compte les autres \u2013 qui ne sont pas de notre esp\u00e8ce \u2013 il faut n\u00e9cessairement ralentir, se promener et observer \u00e0 petits pas.<\/p>\n\n\n\n

les pens\u00e9es submerg\u00e9es<\/em> constituent la deuxi\u00e8me partie du livre les errantes naturelles<\/em>. les errantes naturelles<\/em> imbriquent des pens\u00e9es, des promenades \u00e0 herboriser, des dessins et des photographies autour des plantes spontan\u00e9es des rues et rehauss\u00e9es, de textes inspir\u00e9s par les rencontres de Lise Duclaux avec des botanistes et des lectures r\u00e9alis\u00e9es par l\u2019artiste lors de ses r\u00e9sidences \u00e0 New York en 2018 et \u00e0 Rome en hiver 2020 et janvier 2021. Noy\u00e9es par les flots informations, les pens\u00e9es s\u2019enchev\u00eatrent autour de l\u2019impossibilit\u00e9 de donner une repr\u00e9sentation claire de ce qui serait naturel.<\/p>\n\n\n\n


Installation in situ, dessins, photographies, impressions digitales, livre d\u2019artiste<\/p>\n\n\n\n

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Installation in situ, dessins, photographies, impressions digitales, livre d\u2019artiste les errantes naturelles<\/em>,
livres de la biblioth\u00e8que de l\u2019Academia Belgica et ail de Naples cueilli sur une pente<\/p>\n\n\n\n

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monte aux cieux - Tree of heaven<\/strong><\/em> (Ailanthus altissima)
pigment ink on paper, 35 x 50 cm, 2020<\/p>\n\n\n\n

An Asian that came to Italy for the breeding of silkworms, the ailanthus silkmoth. The production of silk failed, the butterfly and the tree acclimatised. Having become cosmopolitan, the tree lives in all large Western cities; it settles in disturbed, uncomfortable, polluted environments, poor \u2013 even stony \u2013 soils. In Rome, it likes roadsides, railroads, unbuildable slopes, and some walled slopes. It suckers freely, sprouting from the roots. The more it is cut, the more it rejects, a way to resist and survive. It is one of the signs of the transformation of landscapes and the appearance of new forms, new agreements to come.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Asiatique arriv\u00e9 en Italie pour l\u2019\u00e9levage du vers \u00e0 soie : le bombyx de l\u2019ailante. La production de soie a \u00e9chou\u00e9, le papillon et l\u2019arbre se sont acclimat\u00e9s. Devenu cosmopolite, il vit notamment dans toutes les grandes villes occidentales, il s\u2019installe dans des milieux perturb\u00e9s, inconfortables, pollu\u00e9s, les sols pauvres m\u00eame caillouteux. \u00c0 Rome, il affectionne les bords de route, les voies ferr\u00e9es, les pentes inconstructibles, et parfois quelques pentes emmur\u00e9es. Il drageonne, s\u2019installe par rejets partant des racines. Plus il est coup\u00e9, plus il rejette, une mani\u00e8re de r\u00e9sister et survivre. Il est un des signes de la transformation des paysages et de l\u2019apparition de nouvelles formes, de nouvelles ententes \u00e0 venir.<\/p>\n\n\n\n

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C\u00e2prier des murs - Flinders rose<\/strong><\/em> (Capparis spinosa)
pigment ink, coloured pencil and painting on paper, 29,7 x 21 cm, 2020<\/p>\n\n\n\n

On top of a pillar in the centre of Rome, a Flinders rose has developed sufficient roots to fetch the water necessary for its survival. The Flinders rose, or caper, can be found everywhere, even in the centre of the city. It is a bush that frequents the old walls and sunny cliffs. Native to rocky shores, it has found in the walls and ruins of Rome the same conditions necessary for its survival as in the rocks of the seaside.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

C\u00e2prier install\u00e9 en haut d\u2019un pilier au centre de Rome qui a d\u00e9velopp\u00e9 des racines suffisantes pour aller chercher l\u2019eau n\u00e9cessaire \u00e0 sa survie. Le c\u00e2prier est un buisson qui fr\u00e9quente les vieux murs et les falaises ensoleill\u00e9es de Rome. Originaire des rivages rocheux, il a trouv\u00e9 dans les murs et les ruines de Rome les m\u00eames conditions n\u00e9cessaires \u00e0 sa survie que dans les rochers des bords de mer. On le croise partout m\u00eame en plein centre.<\/p>\n\n\n\n

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Nombril de venus et mouron des oiseaux<\/strong><\/em>
Navelwort and the nodding chickweed<\/strong><\/em> (Umbilicus rupestris) 
pigment ink, coloured pencil and painting on paper, 29,7 x 21 cm, 2020<\/p>\n\n\n\n

Spirit of the shaded wall, made for climbing, the Navelwort lives vertically. It is sometimes found on the bark of trees. Friend to insects, it moves thanks to them. It likes moisture and climbs little by little towards the north. The nodding chickweed lives everywhere - even in vegetable gardens - and in all positions.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Esprit des murs ombrag\u00e9s, taill\u00e9s pour l\u2019escalade, le nombril de venus vit \u00e0 la verticale. On le rencontre parfois sur les \u00e9corces d\u2019arbres. Ami des insectes, il se d\u00e9place gr\u00e2ce \u00e0 eux. il aime l\u2019humidit\u00e9 et monte petit \u00e0 petit vers le nord. Le mouron des oiseaux, quant \u00e0 lui, vit de partout m\u00eame dans les jardins potagers et dans toutes les positions.<\/p>\n\n\n\n

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Ce vieil \u00e9tranger le platane et moi<\/strong><\/em>
This old foreigner, the Old-World sycamore and me<\/strong><\/em> (Platanus orientalis)
pigment ink on paper, 42 x 29,7 cm, 2021<\/p>\n\n\n\n

Oriental plane tree, more than 400 years old, living in the plane trees valley of the Villa Borghese park, naturalised but now rare, it was considered a foreign species imported at the ancient Greek and Roman times for the quality of its shade (cf. Pliny the Elder). The tree has lived through part of the history of Rome and knows a great deal about what goes on underground. What is a human life compared to the life of a tree?<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Platane d\u2019orient \u00e2g\u00e9 de plus de 400 ans, vivant dans la vall\u00e9e des platanes du parc de la Villa Borghese, naturalis\u00e9 mais devenu rare, il \u00e9tait consid\u00e9r\u00e9 comme une esp\u00e8ce \u00e9trang\u00e8re import\u00e9e au temps des Grecs et des Romains pour la qualit\u00e9 de son ombrage (cf. Pline l\u2019Ancien). Il a v\u00e9cu une partie de l\u2019histoire de Rome et en conna\u00eet long sur ce qui se passe sous terre. Qu\u2019est-ce qu\u2019une vie humaine en comparaison avec la vie d\u2019un arbre\u2009?<\/p>\n\n\n\n

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Saxifrage \u00e0 trois doigts - Rue-leaved saxifrage<\/em> <\/strong>(Saxifraga tridactylites)
pigment ink and coloured pencil and painting on paper, 29,7 x 21 cm, 2020 - 2021<\/p>\n\n\n\n

Spirit of the walls, mountains, cliffs and dunes, a pioneer rarely exceeding 10 cm, made for climbing, a stealthy and seasonal plant that blooms at the dawn of spring, it is considered a miner, a stone drill, although no building has yet collapsed because of it. It promotes the accumulation of humus and substrate by dying and allow other, more demanding species to settle after it.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Esprit des murs, des montagnes des dunes et des falaises, pionni\u00e8re d\u00e9passant rarement 10 cm, taill\u00e9s pour l\u2019escalade, furtive et saisonni\u00e8re qui fleurit \u00e0 l\u2019or\u00e9e du printemps, elle est consid\u00e9r\u00e9e comme une mineuse, perceuse de pierre, bien qu\u2019aucun \u00e9difice ne se soit \u00e9croul\u00e9 \u00e0 cause d\u2019elle. Elles favorisent l\u2019accumulation d\u2019humus et de substrat en mourant et permettent \u00e0 d\u2019autres esp\u00e8ces plus exigeantes de s\u2019installer derri\u00e8re elles.<\/p>\n\n\n\n

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Ortie douteuse - Membranous nettle<\/strong><\/em> (Urtica membranacea)
pigment ink and coloured pencil on paper, 42 x 29,7 cm, 2020<\/p>\n\n\n\n

The membranous nettle is specifically a Mediterranean species. It likes the morning dew, appears in the streets of Rome in mid-autumn and disappears in the heat of summer. It is a recurrent transient, ephemeral like most of the flora of the sidewalks. One comes across them from time to time in Belgium.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

L\u2019ortie douteuse est une esp\u00e8ce sp\u00e9cifiquement m\u00e9diterran\u00e9enne. Elle affectionne la ros\u00e9e du matin, appara\u00eet dans les rues de Rome \u00e0 la mi-automne et dispara\u00eet \u00e0 la chaleur de l\u2019\u00e9t\u00e9. C\u2019est une r\u00e9currente passag\u00e8re, \u00e9ph\u00e9m\u00e8re comme la plupart de la flore des trottoirs. On croise de temps en temps quelques individus en Belgique.<\/p>\n\n\n\n

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Ruine de Rome - Coliseum ivy<\/strong><\/em> (Cymbalaria muralis)
pigment ink drawing, coloured pencil, and painting on paper, 42 x 29,7 cm, 2020<\/p>\n\n\n\n

Harmless cosmopolitan that appreciates the old stones. It can be found along and on walls throughout Europe. Introduced 500 years ago from Italy, it has been cherished for centuries in the gardens of castles.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Inoffensive cosmopolite qui appr\u00e9cie les vieilles pierres. On la rencontre le long et sur les murs dans toute l\u2019Europe. Introduite il y a 500 ans depuis l\u2019Italie, elle a \u00e9t\u00e9 choy\u00e9e pendant des si\u00e8cles dans les jardins des ch\u00e2teaux.<\/p>\n\n\n\n

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Diss\u00e9mination de la ruine de rome et de l\u2019impatiente de l\u2019Himalaya
Dissemination of Coliseum ivy and Himalayan balsam<\/strong><\/em>
pigment ink on paper, 21 x 29,7 cm, 2021<\/p>\n\n\n\n

Coliseum ivy moves from gap to gap. It climbs by lengthening its stem to deposit its seeds in the crevices of the walls. To spread out, Himalayan balsam explodes its fruit at maturity and throws its seeds far and wide. No Himalayan balsam has been found in Rome.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

La ruine de Rome se d\u00e9place d\u2019interstice en interstice. Elle grimpe en allongeant sa tige pour d\u00e9poser d\u2019elle-m\u00eame ses graines dans les anfractuosit\u00e9s des murs. L\u2019impatiente de l\u2019Himalaya fait exploser son fruit \u00e0 maturit\u00e9 et projette ses graines au loin pour se disperser. Aucune impatiente n\u2019a \u00e9t\u00e9 rencontr\u00e9e \u00e0 Rome.<\/p>\n\n\n\n

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Casse pierre, pari\u00e9taire - Pellitory-of-the-wall<\/strong><\/em> (Parietaria judaica)
pigment ink, coloured pencil, and painting on paper, 29,7 x 42 cm, 2020 - 2021<\/p>\n\n\n\n

Spirit of the caves and Mediterranean walls, present on earth since prehistoric times, it is the witness of change in the world. Unloved, green in winter, grey and dusty at the end of spring, it can be found on all old walls and cliffs. Friend to insects and birds, it has accompanied us for a long time. It goes on the offensive and tries to settle in Belgium.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Esprit des grottes et des murs m\u00e9diterran\u00e9en, pr\u00e9sente sur terre depuis la pr\u00e9histoire, elle est le t\u00e9moin des changements du monde. Mal aim\u00e9e, verte en hiver, grise et poussi\u00e9reuse d\u00e8s la fin du printemps, on la croise sur tous les vieux murs et les falaises. Amie des oiseaux et des insectes, elle nous accompagne depuis longtemps. Elle monte \u00e0 l\u2019assaut et tente de s\u2019installer en Belgique.<\/p>\n\n\n\n

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Les ententes communes - Common agreements<\/strong><\/p>\n\n\n\n

The spirit of walls, of sloping walls, walled slopes, and ruins
Climbing plants like humanised spaces and can withstand extreme conditions and wide variations in temperature.<\/p>\n\n\n\n

L\u2019esprit des murs, des murs en pentes, des pentes emmur\u00e9es et des ruines
Les plantes \u00e0 l\u2019assaut des murs aiment les espaces humanis\u00e9s, et supportent des conditions extr\u00eames et d\u2019importantes variations de temp\u00e9rature.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Elucidations of the sidewalks<\/strong><\/p>\n\n\n\n

In the cracks of the sidewalks, along the walls, the spontaneous plants of the streets are recurring, transient, furtive, and seasonal. The street is a redundant space favourable to trampling; to settle there for any length of time is risky; most are ephemeral.<\/p>\n\n\n\n

L\u2019\u00e9lucubration des trottoirs<\/strong><\/p>\n\n\n\n

Dans les fissures des trottoirs, le long des murs, les plantes spontan\u00e9es des rues sont de r\u00e9currentes passag\u00e8res, furtives et saisonni\u00e8res. La rue est un espace redoutable propice aux pi\u00e9tinements, s\u2019y installer dans la dur\u00e9e est risqu\u00e9, la plupart sont \u00e9ph\u00e9m\u00e8res.<\/p>\n\n\n\n

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dessins, photographies, livre d\u2019artiste les errantes naturelles<\/em><\/p>\n\n\n\n

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quand deux substances<\/em>
pigment ink on paper, 15 x 10,5 cm, 2020<\/p>\n\n\n\n

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inule visqueuse (Dittrichia viscosa<\/em>)
pigment ink, coloured pencil, and painting on paper, 2020 - 2021<\/p>\n\n\n\n

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p\u00e2querette mexicaine (Erigeron karvinskianus<\/em>)
pigment ink, coloured pencil, and painting on paper, 2020 - 2021<\/p>\n\n\n\n

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Les ententes communes - Common agreements<\/strong><\/p>\n\n\n\n

Forms of woodland thoughts - Formes de pens\u00e9es sylvestres<\/strong><\/p>\n\n\n\n

On unbuildable slopes, steep escarpments, and sloping groves, a multitude of plants settle in according to the circulation of water, wind, rain, and the animals that inhabit or fly over them. A space where species become naturalised, where evolution and information exchange can take place freely, where spontaneous aliens rub shoulders with natives, where domesticated plants coexist with their wild plants, where the dying will be spontaneously replaced by other specimens. New landscapes in the making are created, new agreements are possible.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Dans les pentes inconstructibles, les escarpements escarp\u00e9s, les bosquets en pente, une multitude de plantes s\u2019installent au gr\u00e9 de la circulation de l\u2019eau, des vents, des pluies, et des animaux qui les habitent ou les survolent. Espace o\u00f9 les esp\u00e8ces se naturalisent, o\u00f9 l\u2019\u00e9volution, les \u00e9changes d\u2019informations, peuvent se r\u00e9aliser en toutes libert\u00e9s, o\u00f9 les exotiques spontan\u00e9es c\u00f4toient les indig\u00e8nes, o\u00f9 les plant\u00e9es domestiqu\u00e9es s\u2019acoquinent avec les sauvageonnes, o\u00f9 les moribondes seront remplac\u00e9es spontan\u00e9ment par d\u2019autres. De nouveaux paysages en devenir se cr\u00e9ent, de nouvelles ententes sont possibles.<\/p>\n\n\n\n

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dessins, photographies, impressions digitales d\u2019une page d\u2019un livre de la biblioth\u00e8que de l\u2019Academia Belgica\u2009: Pline l\u2019Ancien, Histoire naturelle, livres XIII<\/em><\/p>\n\n\n\n

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r\u00eaver d\u2019un monde qui n\u2019existe pas encore<\/em>
pigment ink on paper, 15 x 10,5 cm, 2020<\/p>\n\n\n\n

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Palmiers et montes aux cieux<\/em>, <\/strong>Rome
photographie couleurs, 20 x 30 cm, 2020 - 2022<\/p>\n\n\n\n

des larves de papillons et de col\u00e9opt\u00e8res venues de lointains pays mangent les vieux palmiers \u00e9trangers jusqu\u2019\u00e0 les faire d\u00e9p\u00e9rir, les montes aux cieux commencent \u00e0 prendre leur place les formes changent et nous annoncent les futurs changements de forme du monde<\/p>\n\n\n\n

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Forms of woodland thoughts - Formes de pens\u00e9es sylvestres<\/strong><\/p>\n\n\n\n

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dessins, photographies, impressions digitales d\u2019une page d\u2019un livre de la biblioth\u00e8que de l\u2019Academia Belgica\u2009: Lucr\u00e8ce, De la Nature,<\/em> et ail de Naples cueilli sur une pente<\/p>\n\n\n\n

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les id\u00e9es c\u2019est pas ce que nous pensons c\u2019est ce qui nous fait penser<\/em>
pigment ink on paper, 15 x 10,5 cm, 2021<\/p>\n\n\n\n

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formes \u00e9mergentes de pens\u00e9es sylvestres 03<\/strong>, bosquet viale delle belle arti, Rome
digital print, pigment ink, coloured pencil, marker, tapes, on paper, 48,2 x 42 cm, 2020<\/p>\n\n\n\n

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id\u00e9e d\u2019un r\u00e9seau de plantes et champignons<\/strong>
<\/em>(en r\u00e9gion temp\u00e9r\u00e9e froide), 29,7 x 21 cm, 2020<\/p>\n\n\n\n

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Les ententes communes - Common agreements<\/strong><\/p>\n\n\n\n

Les pens\u00e9es \u00e9mergentes des rives - Thoughts emerging from the banks<\/strong><\/p>\n\n\n\n

A few days of rain each winter are enough for the Tiber to flood. The current drains a multitude of waste: leaves, twigs, branches, fruit, seeds, paper, plastic, fabric. The ensemble mingles glued together by silt, clings to the plants and branches of the trees and forms small sculptures.<\/p>\n\n\n\n

When the water level drops, the silt is deposited on the banks and in the gaps of the borders, offering possibilities for spontaneity; it allows seeds to germinate and transform the surroundings by growing. Like the fig tree, a spontaneous and cultivated Mediterranean tree, or the Spanish plane tree, an ornamental allee tree \u2013 a 17th-century cross between the oriental and American plane trees \u2013 which, after more than 200 years, has become spontaneous and settled on the banks.<\/p>\n\n\n\n

*<\/p>\n\n\n\n

Quelques jours de pluie suffisent chaque hiver pour que le Tibre soit en crue. Le courant draine une multitude de d\u00e9chets: feuilles, brindilles, branches, fruits, graines, papiers, plastiques, tissus. L\u2019ensemble coll\u00e9 par le limon se m\u00e9lange, s\u2019accroche aux plantes, aux branches des arbres et forme de petites sculptures.<\/p>\n\n\n\n

\u00c0 la d\u00e9crue le limon se d\u00e9pose sur les berges et dans les interstices des bordures, il offre des possibles \u00e0 la spontan\u00e9it\u00e9, il permet aux graines de germer et en poussant de transformer les abords. Comme le figuier arbre m\u00e9diterran\u00e9en sauvage et cultiv\u00e9 ou le Platane d\u2019Espagne, arbre d\u2019ornement bordant les all\u00e9es des rues \u2013 croisement r\u00e9alis\u00e9 au 17e<\/sup> si\u00e8cle entre le platane d\u2019orient et le platane d\u2019Am\u00e9rique \u2013 qui apr\u00e8s plus de 200 ans est devenu spontan\u00e9 et s\u2019installe sur les rives.<\/p>\n\n\n\n

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dessins, photographies, livre d\u2019artiste\u2009: les errantes naturelles<\/em>, livres de l\u2019Academia Belgica\u2009:Pline l\u2019Ancien, Histoire naturelle, livres XII et XVI,<\/em> Th\u00e9ophraste, Les Causes de ph\u00e9nom\u00e8nes v\u00e9g\u00e9taux<\/em><\/p>\n\n\n\n

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fleurs de figues et son pollinisateur, pollinisation de l\u2019inflorescence creuse d\u2019une figue, naissance d\u2019une figue m\u00fbre,
pigment ink and coloured pencil on paper, 3x 15 x 10,5 cm, 2020<\/p>\n","protected":false},"excerpt":{"rendered":"

les pens\u00e9es submerg\u00e9es, Academia Belgica, Romasolo exhibition 10 03 2022 - 08 04 2022 Often, the plants that grow spontaneously in the streets of big cities have become cosmopolitan. Are these strange familiar-aliens, frequently considered improper, invading us, or have we invaded them? To botanise, to take into account the others \u2013 who are nonhuman […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[74],"tags":[],"_links":{"self":[{"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5590"}],"collection":[{"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5590"}],"version-history":[{"count":47,"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5590\/revisions"}],"predecessor-version":[{"id":5738,"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/5590\/revisions\/5738"}],"wp:attachment":[{"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/liseduclaux.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}