intervention in public space on "I'm your new tree tags" hanging on newly planted street trees
from 23 to 26 June 2018 in New-York City
orange sticker 8,2 x 6,2 cm - 200 copies
intervention in public space on "I'm your new tree tags" hanging on newly planted street trees
from 23 to 26 June 2018 in New-York City
orange sticker 8,2 x 6,2 cm - 200 copies
the tree of heaven's walk
and the tree of heaven come up pure gold in the crack of cement poured over utopia
from March 17 to April 14, 2018, New-York city, Capital of garbage
Map 68,6 x 88,4 cm, tape, pigment ink, gold paint on paper
detail
Who’s afraid of invasive plants? Aliens among us - artist at work, ISCP, 15 May 2018, NYC
a poetic-scientific performance lecture about plants living in the cracks of sidewalks, interstices, rubble, parking and vacant lots in New York City
artist at work ISCP- NYC - link facebook Now live!
who's afraid of invasive plants? aliens among us
wall painting, ISCP studio, New-York, April 2018
Some words have been borrowed from Emanuele Coccia, Anna Lowenhaupt Tsing and Ursula K. Le Guin
from january till may 2018 - NYC
ephemeral inner garden
waste of winter meals
thanks to beets, turnips, parsnips, horseradish, carrots and leeks
May 7
april 30
april 17
april 04
march 06
Feb 20
Feb 05
new-york avril 04, 2018 - iscp studio brooklyn
idea of a scale of natural beings, poster to take away, 297 x 594 mm - recto/verso
25 exemplaires, édition à lire à la loupe - 22,5 x 32,4 x 6,8 cm
2 books with texts and drawing by lise duclaux, texts by Bendy Glu and Chris Straetling, visiting cards, a photo album, brochures with work by Le Carosse residents, digital video documentation, posters and cd with vocals and guitar by one of the residents.
août 2015
octobre 2015
dernier jour,
les vacances annuelles d'Annick Nölle Dick, Dope and Hair and logistic system D d'Heinrich Obst Bureau Gruzemayer
annick nölle sets up fire to dick, dope and hair
heinrich obst
INBOX - M HKA
l'observatoire des simples et des fous (The Observatory of Simpletons and Madmen) began as a project by Lise Duclaux for the group exhibition MONSens during Mons 2015, European Capital of Culture. In April 2014, both wild and medicinal plants were sown near the headquarters of several smaller centres for mentally ill people in Wallonia. During the course of the project this observatory was the location for gardening sessions, workshops, public moments and presentations.
The project not only focused on the inhabitants and the plants, it also took its own operations and the functioning of the care facility into consideration. The garden was gradually overgrown by 'weeds', a suitable reflection – both horticultural and psychological – on the ways in which we as a society deal with the conditions of the disabled.
Lise Duclaux incorporates this project within a wider range of philosophical thoughts about plants and gardens, that are deeply rooted in the belief that we must communicate with the other species on this earth, that we must learn to understand them and try to come to terms with them.
In 2014, a first publication was created. A second book was presented in May 2017 at the Sint-Lukasgalerie in Brussels. A multiple box was created as closing point for the project.
patience sauvage, 2017
29,5 x 14,5 cm, encre pigmentaire sur papier
carotte sauvage vu du ciel, 2017
29,5 x 14,5 cm, encre pigmentaire sur papier
neurones of the brain, 2017
29,5 x 14,5 cm, encre pigmentaire sur papier
followed by
compounded observation de Chris Straetling
et
il y a ceux qui font des rondes le jour, ce sont les bons
il y a ceux qui font des rondes la nuit, ce sont les mauvais de Bendy Glu
livre, 21 x 13 cm, 224 pages - 18€
impression offset en trichomie, édition à lire à la loupe, 750 exemplaires numérotés
isbn:978-2-9601685-2-5
l'observatoire des simples et des fous, ce n'est pas si simple évoque et retrace subjectivement et poétiquement l’expérience de la deuxième année de la vie de l’observatoire des simples et des fous, vaste étendue de plantes médicinales (les simples) et sauvages (les herbes folles) en forme d’ellipse où un accès unique menait à un espace circulaire situé en son centre habité par un marronnier. cette oeuvre évolutive est née au printemps deux mille quatorze dans un pré à brouter adjacent au foyer de vie pour adultes présentant une déficience mentale le Carrosse situé à saint-symphorien en belgique. il a été ouvert au public tous les week-ends du vingt-cinq avril au vingt-cinq octobre en l’an deux mille quinze, rythmé par des picniques - journées - particulières - performances et des ateliers. il a été mangé par les vaches en l’an deux mille seize. L’observatoire était dans ce monde de fous un espace d’observation du mouvement de la vie et un espace de liberté